Why do you draw?
Well, this is the story behind the pictures.
This is an interview I did for Voyage Magazine!
Meet Roberta Baird
Black Water Hattie lived back in the swamp where the strange green reptiles crawl.
Snakes hang thick from the cypress trees, like sausage on a smoke house wall.
Where the swamp is alive with a thousand eyes, and all of them watching you.
Stay off the track of Hattie’s shack, in the back of the Black Bayou.
From the song, Swamp Witch Hattie, by Jim Stafford
Poor, misguided folks. They missed the whole point. Lot’s of unhappiness? Maybe so. But doesn’t Santa take a little bit of that unhappiness away? Doesn’t a smile on Christmas morning scratch out a tear cried on a sadder day? Not much maybe. But what would happen if we all tried to be like Santa and learned to give as only he can give: of ourselves, our talents, our love and our hearts? Maybe we could all learn Santa’s beautiful lesson and maybe there would finally be peace on Earth and good will toward men._Santa Claus is Comin’ to Town_ Movie
Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it, night and morning, during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the City of London, even including — which is a bold word — the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-year’s dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change: not a knocker, but Marley’s face.
Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up upon its ghostly forehead. The hair was curiously stirred, as if by breath or hot-air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be in spite of the face and beyond its control, rather than a part of its own expression. ~Charles Dickens, A Christmas Carol
I started this challenge in November with #SKADAMO, a sketch a day challenge. No rules, just a way to get those creative juices flowing. I like to give myself a theme and this year I decided to highlight The fun and totally relatable, A Christmas Story, based on the original work of Jean Shepherd. I’ve come to the end of it now with #HoHoDooDa. This has been fun. You can see the original illustrations with the text as you scroll through by blog. I just thought it would be fun to see them all together.
We are going out to eat.
No! Not, “ra ra ra ra ra.” “La la la la la.”
Sing like this:
Try again. Stop!
Sing something else.
Kitchen. Bring food. For customers.
Oh, I’m sorry.
It’s a beautiful duck.
It really is.
But you see…
It’s smiling at me.
That Christmas would live in our memories…
as the Christmas when we were introduced to Chinese turkey.
Sometimes at the height of our reveries, when our joy is at its zenith…
when all is most right with the world…
the most unthinkable disasters descend upon us.
The heavenly aroma still hung heavy in the house. But it was gone.
All gone. No turkey. No turkey sandwiches.
No turkey salad. No turkey gravy, turkey hash, turkey a la king…
or gallons of turkey soup.
We are going out to eat.